從業(yè)1年
設計費 ￥
東湖博物館
四川 成都市
“大方”天圓地方中的大地。“無隅”已至無邊無際。
“大方無隅”意指宏大的物體沒有角落，并虛實相生、廣域無邊，也意喻生命的循環(huán)。
虛為像，實為體。由此為切入點，從原老結構建筑出發(fā)，利用虛實相結合之法，打破現(xiàn)有建筑體的桎梏。通過減弱邊線，虛化實體手法（如使用解體或是飄浮形式來虛化物體邊緣），實現(xiàn)虛實之間相互轉換，將建筑、室內(nèi)與景觀的界限虛化，做到引景入室，室內(nèi)觀景。
得益于傳統(tǒng)文化中“大方無隅”“大道至簡”理念的深入思考，提取其中虛實、輕盈、寧靜等的抽象語言，使用了現(xiàn)代簡潔的設計手法來呈現(xiàn)一個與自然交融，并開放于建筑與景觀間的室內(nèi)場景。在此處無風格抵觸的背景下，東湖藝術館可以結合將來不同的藝術展，同時給予了當?shù)厣钸h文化意義。
According to the Taoism –
“The massive object does not have a shape;” it is boundary-less between the abstract and the solid, and the intention of unintentional as the cycle of life.
Utilized the intangible elements such as reflections of light, water and glass, the original architectural boundary is blurred and weakened; the interior space is introduced with the outdoor landscape and the stream curvature; aligning the old-factory-structural architecture with the concept of ancient Taoism’s ideals in contrast between the vague verses the real, the existing building is released from its structural constraints.
Introducing a broad cohesive concept taken from the essence of Chinese ideals to the minimalist stage, a new exposition is emerged, the compatibility of various seasonal exhibitions, themes and theories, making their first appearance to the world through East Lake Arts & Auction Gallery – a continuous blossom cycle…
“大方無隅”意指宏大的物體沒有角落，并虛實相生、廣域無邊，也意喻生命的循環(huán)。
虛為像，實為體。由此為切入點，從原老結構建筑出發(fā)，利用虛實相結合之法，打破現(xiàn)有建筑體的桎梏。通過減弱邊線，虛化實體手法（如使用解體或是飄浮形式來虛化物體邊緣），實現(xiàn)虛實之間相互轉換，將建筑、室內(nèi)與景觀的界限虛化，做到引景入室，室內(nèi)觀景。
得益于傳統(tǒng)文化中“大方無隅”“大道至簡”理念的深入思考，提取其中虛實、輕盈、寧靜等的抽象語言，使用了現(xiàn)代簡潔的設計手法來呈現(xiàn)一個與自然交融，并開放于建筑與景觀間的室內(nèi)場景。在此處無風格抵觸的背景下，東湖藝術館可以結合將來不同的藝術展，同時給予了當?shù)厣钸h文化意義。
According to the Taoism –
“The massive object does not have a shape;” it is boundary-less between the abstract and the solid, and the intention of unintentional as the cycle of life.
Utilized the intangible elements such as reflections of light, water and glass, the original architectural boundary is blurred and weakened; the interior space is introduced with the outdoor landscape and the stream curvature; aligning the old-factory-structural architecture with the concept of ancient Taoism’s ideals in contrast between the vague verses the real, the existing building is released from its structural constraints.
Introducing a broad cohesive concept taken from the essence of Chinese ideals to the minimalist stage, a new exposition is emerged, the compatibility of various seasonal exhibitions, themes and theories, making their first appearance to the world through East Lake Arts & Auction Gallery – a continuous blossom cycle…
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