公司官網
從業(yè)19年
設計費 ￥300~600
蔣國成
櫟集——光影與色彩的哲學之境
河南 鄭州市
「閱己·悅己·越己」
櫟集從人出發(fā)，寓意著自我探索與認知，傾聽空間的回響，打造一個讓人與空間深度對話的場所。沒有繁復的裝飾，通過柔和的曲線、自然的木質和粗獷的水泥，構建出一種返璞歸真的空間氛圍。
設計中現代性”與“自然感”的博弈，米色的淡泊、木色的沉穩(wěn)、橙黃的溫度，在空間中編織出一張情感的網，構建出溫暖而富有層次感的色彩系統(tǒng)，讓每個駐足者都能在色調的包裹中，找到屬于自己的精神棲居地。
設計師以功能出發(fā)，層級交錯，空間交織，分割成不同的區(qū)域，木質色調與光影的共謀，創(chuàng)造出超越維度的感知場域。
木質格柵用半透明的姿態(tài)劃分功能區(qū)域，既保持視覺連貫性，又在若隱若現中制造心理距離，在虛實相生間構建出多維度的視覺層次。
在空間中，壁爐使用弧形元素，從界面消解了直角規(guī)訓，以流體形態(tài)切割空間，讓空間獲得了生長的自由，延伸了空間，引導人在場景中持續(xù)感知空間變化。讓曲面設計不再是功能附屬，而是成為空間敘事的主角，在視覺延展中弱化空間邊界，同時隱喻“閱己”的哲學——當視線隨曲線流動，自我認知亦在空間中生長。
這方空間是功能主義與哲學思考的共謀。它以色彩為筆、曲線為墨、光影為媒，在空間中書寫關于自我成長的敘事，讓設計回歸對“人”的本質關懷。
以「閱己·悅己·越己」為軸，在空間褶皺中展開一場關于時間與自我的哲學漫游。
Reading oneself, enjoying oneself, and surpassing oneself
Li Ji starts from people, symbolizing self exploration and cognition, listening to the echoes of space, and creating a place for deep dialogue between people and space. Without intricate decorations, a space atmosphere that returns to simplicity is created through soft curves, natural wood, and rough cement.
The game between modernity and naturalness in design, with beige's indifference, wood's calmness, and orange's warmth, weaves an emotional web in the space, constructing a warm and layered color system that allows every viewer to find their own spiritual dwelling in the embrace of color tones.
Designers start from functionality, interweave levels and spaces, and divide them into different areas. The combination of wood tones and light and shadow creates a perceptual field that transcends dimensions.
The wooden grille divides functional areas with a semi transparent posture, maintaining visual coherence while creating psychological distance in a subtle way, constructing multidimensional visual layers between reality and virtuality.
In space, the fireplace uses curved elements to dissolve the right angle rule from the interface, cutting the space in a fluid form, giving the space the freedom to grow, extending the space, and guiding people to continuously perceive spatial changes in the scene.
Make surface design no longer a functional accessory, but a protagonist in spatial narrative, weakening spatial boundaries in visual extension, and metaphorically embodying the philosophy of "reading oneself" - when the line of sight flows along the curve, self-awareness also grows in space.
This space is a combination of functionalism and philosophical thinking. It uses color as a pen, curves as ink, and light and shadow as a medium to write a narrative about self growth in space, allowing design to return to the essence of caring for "people". Embark on a philosophical exploration of time and self within the folds of space, centered around the themes of "self reflection, self satisfaction, and self transcendence".
項目信息
項目名稱：櫟集展廳
項目區(qū)位：鄭州
項目面積：350平方米
設計師：蔣國成，沈健
軟裝設計師：黃明
硬裝深化：陸葉
照明設計：區(qū)綺泳
項目完成：2024.10
項目攝影：AK空間攝影/楊森
櫟集從人出發(fā)，寓意著自我探索與認知，傾聽空間的回響，打造一個讓人與空間深度對話的場所。沒有繁復的裝飾，通過柔和的曲線、自然的木質和粗獷的水泥，構建出一種返璞歸真的空間氛圍。
設計中現代性”與“自然感”的博弈，米色的淡泊、木色的沉穩(wěn)、橙黃的溫度，在空間中編織出一張情感的網，構建出溫暖而富有層次感的色彩系統(tǒng)，讓每個駐足者都能在色調的包裹中，找到屬于自己的精神棲居地。
設計師以功能出發(fā)，層級交錯，空間交織，分割成不同的區(qū)域，木質色調與光影的共謀，創(chuàng)造出超越維度的感知場域。
木質格柵用半透明的姿態(tài)劃分功能區(qū)域，既保持視覺連貫性，又在若隱若現中制造心理距離，在虛實相生間構建出多維度的視覺層次。
在空間中，壁爐使用弧形元素，從界面消解了直角規(guī)訓，以流體形態(tài)切割空間，讓空間獲得了生長的自由，延伸了空間，引導人在場景中持續(xù)感知空間變化。讓曲面設計不再是功能附屬，而是成為空間敘事的主角，在視覺延展中弱化空間邊界，同時隱喻“閱己”的哲學——當視線隨曲線流動，自我認知亦在空間中生長。
這方空間是功能主義與哲學思考的共謀。它以色彩為筆、曲線為墨、光影為媒，在空間中書寫關于自我成長的敘事，讓設計回歸對“人”的本質關懷。
以「閱己·悅己·越己」為軸，在空間褶皺中展開一場關于時間與自我的哲學漫游。
Reading oneself, enjoying oneself, and surpassing oneself
Li Ji starts from people, symbolizing self exploration and cognition, listening to the echoes of space, and creating a place for deep dialogue between people and space. Without intricate decorations, a space atmosphere that returns to simplicity is created through soft curves, natural wood, and rough cement.
The game between modernity and naturalness in design, with beige's indifference, wood's calmness, and orange's warmth, weaves an emotional web in the space, constructing a warm and layered color system that allows every viewer to find their own spiritual dwelling in the embrace of color tones.
Designers start from functionality, interweave levels and spaces, and divide them into different areas. The combination of wood tones and light and shadow creates a perceptual field that transcends dimensions.
The wooden grille divides functional areas with a semi transparent posture, maintaining visual coherence while creating psychological distance in a subtle way, constructing multidimensional visual layers between reality and virtuality.
In space, the fireplace uses curved elements to dissolve the right angle rule from the interface, cutting the space in a fluid form, giving the space the freedom to grow, extending the space, and guiding people to continuously perceive spatial changes in the scene.
Make surface design no longer a functional accessory, but a protagonist in spatial narrative, weakening spatial boundaries in visual extension, and metaphorically embodying the philosophy of "reading oneself" - when the line of sight flows along the curve, self-awareness also grows in space.
This space is a combination of functionalism and philosophical thinking. It uses color as a pen, curves as ink, and light and shadow as a medium to write a narrative about self growth in space, allowing design to return to the essence of caring for "people". Embark on a philosophical exploration of time and self within the folds of space, centered around the themes of "self reflection, self satisfaction, and self transcendence".
項目信息
項目名稱：櫟集展廳
項目區(qū)位：鄭州
項目面積：350平方米
設計師：蔣國成，沈健
軟裝設計師：黃明
硬裝深化：陸葉
照明設計：區(qū)綺泳
項目完成：2024.10
項目攝影：AK空間攝影/楊森
閱讀：163
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